Methods explores the techniques, materials and cultural contexts of medieval glassmaking.

Héloise Colrat (glassblowing artist) and Alicia Van Ham-Meert (archaeological scientist) investigate medieval glass recipes based on the composition of the stained glass windows from the abbey of Stavelot – subject of Alicia’s research. Using materials from the archaeological site, they reproduce and refine different glass recipes, focusing in particular on trick glasses, central to elite social gatherings in the 16th and 17th centuries.

Héloïse’s residency project goes beyond mere curiosity; she seeks to immerse herself in the historical and technical nuances of these glasses, attempting to understand not only their forms, but also the societal contexts in which they flourished. At the heart of her investigation is the desire to recreate one of the oldest trick glasses: the drinking horn. This iconic vessel conceals a myriad of fascinating subterfuges, inviting Héloïse to unlock its secrets through experimentation.

She experiments with vitrifiable mixtures using natural materials, echoing ancient practices and techniques.

ABOUT THE ARTIST

Héloïse Colrat (1992, Lyon) is a French artist based in Brussels.

She is also the scientific glassblower in charge at the chemistry department at the University of Liège.

In 2023, she obtained a CAP in scientific glassblowing at the Lycée Dorian in Paris and in 2017 a master’s degree at the Haute École des Arts du Rhin in Strasbourg as part of the glass workshop.

Héloïse’s methodological approach is multifaceted, encompassing techniques such as blowing with a torch – an ancient practice that predates the blowpipe, which was widespread in the Middle Ages. This technique offers a unique opportunity to work with mixtures of raw materials, using gathered and charred plants to create intricate enamelled decorations reminiscent of 13th-century glass production in the Middle East.

www.heloisecolrat.com