Argumenter en démocratie

Rhetoric in democracy

Rhetoric as a citizenship exercise

Presented at the Brass’Art Digitaal Café in Molenbeek, this educational and artistic performance highlights a scientific discipline that is too rarely presented as such: rhetoric and the science of language.

Participants get to know each other by learning storytelling techniques through the sharing of anecdotes. They then practice the greatest challenge of rhetoric: paradoxical praise. It is about making beautiful and desirable what is generally considered ugly and shameful. By practicing this exercise, they develop a technical perspective on how the media make and break reputations, with a look of attention on the Molenbeek district and its media representation.

The objective of this workshop is to refine our democratic skills by providing everyone with a toolbox for public speaking but also to develop a more critical view of major social issues. The challenges of the workshop also allow participants to gain confidence in expressing their points of view.

The performance is the product of an experimental artistic-scientific residency between the GRAL (Research Group in Rhetoric and Linguistic Argumentation of the ULB) and David Scarpuzza, actor and director from Brussels.

Credits:
– Conception and realisation: Group GRAL ULB & David Scarpuzza
– Direction & acting: David Scarpuzza
– Scientific Direction: Group GRAL ULB

Presentation:
Printemps des Science at Brass’Art Digitaal Café  21-25 March 2018

Light Dance Performance

Light Dance Performance

IInitially commissioned by La Revue de l’ULB, the production of EL wires suits for a light and dance show was the first Ohme’s experiment in this 100% self-produced direction. This multidisciplinary project was a nice opportunity to create synergies with a large number of experts in many diverse fields: many people with various expertises (dancers, stylists, electronics engineers, musical producers, coders, choreographers, etc) have been involved.
Each costume is made up of 8 EL wires remote-controlled over a wireless Zigbee network and designed on a MIDI track in Ableton Live.
The used technologies make this performance very modular and adaptable to many contexts. It has been performed in educational situations or tech fairs as well as for celebrations or charitable events.

Credits:
– Project management: Raoul Sommeillier
– Technology & engineering: Raoul Sommeillier & Maxime Looverie
– Costume design: Mélissa Mana
– Costume production: Malorie Fauconnier, Valentine Hogge, Camilla Colombo, Céline Cauwert, Nicolas Klimis, Maxime Gravet, Jean Rosenfeld, Rémi Genon & Raoul Sommeillier
– Choreography: Gabrielle Michaux & Thomas Defoin
– Dancers: Camille Collard, Céline Paula, Natacha Nabet, Jérémie Kamay Mpoyo & Hossine Maghfour
– Aftermovie: Kradukman production (Guillaume Dauphin) & Gabba production (Gilles Bastin)
– Sound mix and MIDI encoding: Thomas Defoin, Gabrielle Michaux & Raoul Sommeillier
– Tracks: Usher – Yeah, Eva Simone – Guaya, Malaa – Notorious, Worakls – Question Réponse, Rihanna (Royal Family Remix) – Bitch Better Have My Money

Presentations:
La Revue de l’ULB | 28 February 2019 (Première)
Université des Enfants | 26 May 2019
Relais pour la Vie BXL | 12 October 2019